Ceramics
My personal work is an exploration of form, texture, and the relationship between raw material and organic structure. This collection represents my purest artistic voice, developed through decades of dedicated practice in both sculpture and painting.
The Artist's Language
Fish & Me
Series
I grew up by the sea, where fish weren’t just food, they were part of our breath, our rhythm, our stories. In Fish & Me, I’ve sculpted not just a figure holding a fish, but a quiet merging of identities, man and marine life, self and source. The surface bears fish scale textures, wave patterns, and verses from the Matsya Purana, where the divine takes the form of a fish to preserve life. This myth finds echo in my lived experience, where the fish became a friend, a witness, and a silent teacher. This work is a personal offering to that relationship. It reflects a life shaped by salt air, folklore, and the sensory language of the Konkan coast. In holding the fish, I hold the stories, the survival, and a version of myself forever intertwined with the sea.
Stonemix Medium
The Sovereign Form
There is a specific kind of strength that doesn't need to be proven. In our world where every day is a high-stakes calculation of movement, growth, and precision the most valuable luxury is the transition into stillness. This piece was created for that exact transition.
The Weight of Being: As someone who appreciates the dedication required to sculpt a physical form, you’ll recognise the "gravity" in this work. It isn't just a muscular figure; it is the embodiment of grounded positivity. It represents a man who has mastered his own curvature and is now simply enjoying the quiet authority of his own presence.
Beyond the Performance: We spend our days performing meeting expectations, managing outcomes, and staying sharp. This sculpture represents the "moral freedom" of the private hours. It is nude and unadorned because it has nothing left to hide and nothing to prove. It is the human spirit, fully recovered and entirely at ease.
Art in the living room is for your guests; art in the bedroom is for yourself. This sculpture isn't an ornament; it’s an energy. It is an invitation to put down the day’s burdens and inhabit your space with the same confidence and calm that this figure holds so effortlessly.
Aaditi
Aditi: The Origin of the World draws from ancient Indian philosophy that understands the feminine as the source and sustainer of all existence. The sculpture’s womb-like circularity and flowing curves echo the generative forces of nature, where creation is continuous rather than linear.
Inspired by the Nasadiya Sukta of the Rigveda and the Devi Mahatmya, the form reflects the idea of the Goddess as the cosmic mother. References to Hiranyagarbha (the golden womb) and Tantric yoni symbolism position the feminine as sacred, creative energy rather than mere physical form. Recalling the abundance and life-affirming curvature of Yakshi and temple sculptures, yet rendered in a contemporary language, the work bridges tradition and modernity. It invites viewers to perceive woman as the matrix of creation an enduring symbol of life, regeneration, and the universe itself.
The Origin of the World
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